Continuing with the connection of the “Tower of Babel” built right after the “Great Flood,” the lower background is filled with what is considered the opposite of a flood, a dry sand dessert. The dessert could give significance to the harsh conditions of life and the barrenness of peoples kindness towards others. Stuck upside-down in the harsh desert is a hook. Although it looks barely planted into the sand, the hook remains straight and forceful against gravity. Two more hooks fade towards a one-point perspective point on the left side of the painting horizon line.
On the tower in the foreground are to hands palm faced towards the towers body. Both resemble in an open prayer like manner, almost imitating the hands depicted upon Jesus Christ in Mid-Evil and also Renaissance artwork. The tower could be be of religious nature as Ernst might be trying to show the great amount of force of the Catholic Church in history. The tower's leaning top may be looking towards the heavens for its creator to save it from the barren and harsh dessert below.
Wrapped around the tower resembling the wrappings of a scarf, is a deal of green fabric. Almost barely hanging off the tower, the scarf could signify nature and its necessity to the world in which we live in. With the scarf almost falling to the harsh sand below, it can signify our ability and our capability to lose contact with nature. In a contrary perspective, the tower could also be guarding the green fabric signifying nature
After analyzing the artwork for some time, the shadow becomes more interesting. In the shadow down on the foot of the artwork is the shadow of the tower before it. However, the shadow does not accurately show the tower it is perceived state. It shows its future. In the shadow it shows the tower being burnt to the ground and eventually decaying away. The Ubu Imperator is a fascinating piece of art by Max Ernst.
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1 comment:
Very deep and meaningful. Great job! It really helped me understand his work better
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